Across nearly a decade under the alias Kedr Livanskiy, Moscow’s Yana Kedrina developed a dark, ethereal style of techno and electro pop on records like Ariadna and Your Need. With 2021’s minimalist Liminal Soul, her music turned colder, further whetting the hard edges of her… Read More
For decades, the Angry Young Men shone a dingy light on British culture. Bottling working-class desperation, these playwrights and novelists originally addressed a 1950s society mired in social immobility and repressed angst. Their themes anchored the films of Karel Reisz,… Read More
Tiernan Banks has declared that deathcrash’s new album is “more emo” than their last one and…hold on a minute. The album with “Wrestle With Jimmy”? The album with a nine-minute twinkle odyssey culminating in the lyric, “And if you die… Read More
Yves Tumor began their career in the low-ceilinged world of experimental noise, but from the outset, their yearning—for bigger stages, sweeping statements, limitless horizons—was palpable. “I only want to make hits,” they said with a laugh in 2017. “What else… Read More
Ruban Nielson, a meticulous indie rock auteur, was born into a family of musicians. As a young boy, he would watch his parents play gigs at resorts all across the Pacific, at once aware of the grotesquery of the tourist… Read More
The stylistic son of Sly Stone, Bootsy Collins, and Maxwell, rising funkster Uly (né Rafino Murphy) invokes the progressive soul music of ‘70s fusion mavericks and their ‘90s neo-soul cubs. His vintage vision includes soft guitar licks, soulful trumpet play, basslines turned right… Read More
Back in the early ’90s, when Madchester was at its peak, Inspiral Carpets were perhaps best known for their “cool as fuck” T-shirts, which were essential wear for any young indie fan looking to annoy their parents. But the Inspiral Carpets… Read More
In the seven years since Laura Les and Dylan Brady first released music as 100 gecs, they’ve been elevated to the patron saints of hyperpop: musically chaotic and poly-gluttonous, profoundly specific and yet totally random, ideal vessels of the 21st-century’s post-pastiche… Read More
Zulu have no time to waste. In the five-second gap after “Africa,” the reverent orchestral introduction of their debut album A New Tomorrow, but before the forceful drop-tuned power chord buzz of “For Sista Humphrey,” the Los Angeles-based powerviolence quintet raises… Read More
As residential districts fall prey to Bloomberg-era economic policy, New Yorkers have watched their city become a parking lot for foreign capital, a disposable plaything for the millionaire class. Chinatown Sound, a video series from Brooklyn rapper Bub Styles, is a testament… Read More