Eris Drew
Last year, when COVID-19 shut down the record stores and clubs and raves, along with the rest of the Western world, Eris Drew went to the woods. The past few years had been an epic come-up. In the 1990s, Drew… Read More
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Tim StoryDieter Moebius
In 1969, Dieter Moebius played a 12-hour gig at an art space above a Berlin shopping mall. Behind the drumkit of newly formed improvisational trio Kluster, he had the markings of an artist most at home when embracing the unknown.… Read More
Shackleton
Shackleton’s work is so diffuse and so challenging that finding an entry point can be like feeling out a foothold in a sheer granite wall. His last solo full-length, 2012’s Music for the Quiet Hour/The Drawbar Organ EPs, sprawled to… Read More
RP Boo
One of the many advantages of growing older is that you stop caring so much about what people think of you. This surely goes double for a dance-music legend like RP Boo. Established!, Boo’s fourth full-length for Planet Mu, may… Read More
박혜진 Park Hye Jin
In the past three years,박혜진 Park Hye Jin has moved from Seoul to Melbourne to London to Los Angeles. Before I Die, her first full-length, which she made entirely during the pandemic, excavates the feelings of isolation and vulnerability triggered… Read More
Cookiee Kawaii
Jersey club hinges on breathless, exhilarating speed. It’s a style of music almost impossible to listen to without wanting to dance: The jittery, sped-up samples and seamless blend of house, R&B, and hip-hop insist on movement, even if you can’t… Read More
Overmono
As modern Britain lurches from crisis to crisis, deeply divided and seemingly at war with its own interests, it may seem futile to look to a mix CD in search of the positives of UK life. Yet fabric presents Overmono,… Read More
Koreless
Koreless’ debut single sounded like the work of someone who’d already been whittling his ideas down for a good long while. Released in 2011, “4D” and its B-side, “MTI,” were elegantly stripped takes on the nebulous style known simply as… Read More
Cold Cave
In 2013, Cold Cave’s Wes Eisold had just released a single called “People Are Poison.” He was detoxing from the bad vibes that surrounded 2011’s Cherish the Light Years, the band’s final release for Matador, and recovering from professional backlash… Read More
TIBSLC
In just 10 releases over the past four years, Manchester’s Sferic label has established a remarkably consistent identity—one defined, ironically, by the near absence of identifying features. On records from Space Afrika, Jake Muir, and Perila, among others, Sferic has… Read More