Four TetFour Tet

For the past few years, if you wanted to discuss one of the most mysterious projects in electronic music, your best bet was to copy/paste. Beginning in 2017, someone started uploading music under the alias ⣎⡇ꉺლ༽இ•̛)ྀ◞ ༎ຶ ༽ৣৢ؞ৢ؞ؖ ꉺლ—a bewildering… Read More

Channel Tres

As the pandemic creeps into its second year, the minutiae of social interactions begin to feel less familiar. Dinners, hookups, and long drives with unmasked passengers are distant memories. Channel Tres’ i can’t go outside is a hazy recollection of… Read More

Claire Rousay

A hush overtook the room just before claire rousay performed at the small nonprofit arts space Rhizome in Washington, DC last summer. The percussionist sat quietly behind a snare and tom with two microphones placed directly above the drumheads. The… Read More

The Postal Service

They might pal around with Huey Lewis now, but the Postal Service were once considered ahead of their time. Their collaboration, in which they sent each other digital files, is routine today but felt futuristic then, even though they relied… Read More

Nonlocal Forecast

Elevator music gets a bad rap—unfairly so. Like wallpaper, it asks nothing of you, not even that you pay attention; it’s just there to help you pass the time. It’s easy to connect that particular strain of soft, inoffensive jazz… Read More

The Avalanches

Life, death, and the cosmos set the boundaries of the Avalanches’ ambitious third album, We Will Always Love You. The record begins with a farewell voicemail—a final communication, we are led to believe, from a young woman who has passed… Read More

Nils Frahm

Nils Frahm’s dominant mode is the eyes-closed fantasia: immersive, rapturous, sentimental. That goes for his post-classical solo-piano work, which is indebted to both Keith Jarrett and George Winston, as well as his surging electronic pieces, which translate the grammar of… Read More

Luke Abbott

If the Ramones had grown up on Tangerine Dream and modular synthesis rather than classic rock and bubblegum, they might have produced something like Translate, the first solo album in six years from Norfolk, England producer Luke Abbott. That’s not… Read More


Balance and Sleazy were one of music’s great romances. In the early 1980s, Geoff Burton, aka John Balance, utilized fan letters and zines to will himself from a troubled childhood of precocious homosexuality and occult aspirations into the arms of… Read More


In the remarkably unsexy year of 2020, you wouldn’t expect an artist to evoke the glowing grime of a club so exactly, but Shygirl manages to do it with her latest EP, ALIAS. Similar to 2018’s Cruel Practice, ALIAS finds… Read More