Axel BomanAxel Boman
What distinguishes Axel Boman’s music from other house music may be obvious to the ears, but it can be hard to put your finger on. The Stockholm producer avails himself of the same materials as many of his peers in… Read More
What distinguishes Axel Boman’s music from other house music may be obvious to the ears, but it can be hard to put your finger on. The Stockholm producer avails himself of the same materials as many of his peers in… Read More
When Brian Eno recorded Ambient 1: Music for Airports in the late 1970s, he was intent on reshaping our experience with flying. Eno was put off by the stock muzak piped through most major airports at the time, and he… Read More
The past is sometimes said to be a foreign country, and for the mature musician, the chances of going there tend to be especially remote. If nations typically enjoy the assumption of stability, a music scene’s own monuments—genres, labels, magazines,… Read More
Working backward through Raffaele Martirani’s catalog as Panoram, you might get the impression that he’s an incorrigible trickster. The Roman-born, Brooklyn-based musician’s most recent release was a 7″ of hazy electro-funk and wistful ambient featuring an actual cannabis leaf pressed… Read More
Pop stars reference crying on the dancefloor with such regularity that you wonder if DJs are out there spinning the audiobook to A Little Life. Last December, apparently unable to resist the temptation, FKA twigs released “Tears in the Club,”… Read More
There might be ambient musicians better at tugging at the heartstrings or bottling the great sad mystery of the world, but if you want to bliss out until your eyes roll back into your head, you could do a lot… Read More
Silvia Jiménez Alvarez, better known as the Spanish-born, Berlin-based electronic musician Jasss, has hidden languages within her music. In a recent interview, Alvarez said of her debut on Ostgut Ton, “Every track, in some way, has to do with having… Read More
“What if?” can be a trapdoor to hell. Waiting on the other side of that interrogative lurk paranoid delusions and pipe dreams, both potent mood oscillators. In sometimes i feel like i have no friends, San Antonio composer Claire Rousay… Read More
Burial’s Antidawn opens with a sound so subtle, so instinctive, you might miss it the first half-dozen times: the muted harrumph of a throat being cleared. But no opening line or expository declaration materializes in its wake. Instead, a thousand… Read More
Sarah Davachi and Sean McCann’s personal and artistic lives are intimately intertwined. Working out of their shared home in Los Angeles, both artists carve out marbled slabs of sound art, each taking their own unique approach to neo-classical music. McCann… Read More